![]() ![]() then you will have a lot more work to do than using a drawing-based program.This also illustrates another advantage of Denemo over MuseScore – the same Denemo file can be used to print out both versions, and indeed a selection of parts all with a single command. The downside is if you are doing some whacky-looking thing, with notes turned on their side and stuff drawn on top of other stuff, etc. ![]() With Denemo you just put in the music and edit it at will, without needing to move things around to make it look good. This is not magic, the bad typesetting of MuseScore is just the penalty you have to pay for typesetting while you input the music. The hairpins, dynamics, ornaments etc are all moved by LilyPond to new positions without any further work. This is actually the same Denemo file – no changes have been made except to tell LilyPond to transpose the music. ![]() The first few bars look quite good, but looking through you can see that MuseScore requires you to drag many things into a nice-looking position, the hairpins clash, the text crashes the notes in several places, the penultimate bar is even unreadable.And here Denemo has done the same. To get an idea of just how much additional hand positioning is involved in creating the MuseScore version, consider what happens when the piece is altered – a lot of the hand positioning has to be re-done. Musescore This is a piece typeset using MuseScore.Īnd here it is imported into Denemo (1.0.5) and typeset by LilyPond (2.16), nothing here has been re-positioned by hand. ![]()
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